Too heavy to carry — an artistic exploration of the once-flourishing Jewish life on Leipzig’s Brühl.
A temporary installation in the form of a locker cabinet will be created in public space, with each individual compartment serving as a showcase for exhibition pieces and found objects.
The installation serves as a temporary memorial accompanied by a supporting program.
with Ronny Aviram & Elisabeth Stiebritz
Too heavy to carry
silver gelatin emulsion on fake fur
more info: www.hierwarwas.de
Holding On To It
The artwork is a large canvas print fixed with silver gelatin emulsion. The image shows a tree in the center, on the waterfront. Due to the long exposure time, the surface of the water is smooth, highlighting the texture of the tree. The roots cling to the sandy shore, fighting against the current to survive. The title, Holding On To It, refers to this, signifying both clinging and the perseverance that comes with it.
2025, Budapest, Hungarian University of Fine Arts
Floating Landscapes
Web design practice with JavaScript
Photogrammetry
Making 3D models of various objects
Trees
The “Trees,, series are portraits in the forest, a perspective is to represent interesting forms and scenes. For me being in nature is always a reviving experience, therefore I always seek for a chance to go out to a forest or to the mountains.
Taking these photos are documents of the beauty of nature, an admiration for the greatest system. I think trees are magnificent creatures, their shape is formed by light, making outstanding textures, shows death and decomposition.
I capture my work on analogue film for many reasons — to slow down, measure light carefully, control the physical development process, and experiment with alternative techniques. Working with these materials allows me to engage with the passion of photography and learn classical methods.
This archaic approach helps me examine nature and my surroundings, both of which are always changing — a reflection of life itself.
Work is life, life is work, and maintaining one’s social position costs money.
Byproduct: burnout.
Modern society is a dystopia whose central motif is exploitation through labor. We chase objects and objectify people. Burnout, acceleration, constant presence, and the flood of information penetrate our nervous system, wearing down our bodies. As a society, we live in anxiety, while our shared spaces fade and extremism grows stronger. External and internal tensions accumulate — yet the system keeps on turning.
How can freedom be found within compulsion? How does a young person encounter work, and how does it affect them? Is there still a place for expertise in capitalism? How does work become school, and school become work?
The exhibition seeks answers to these questions — in a subjective way.
There is work but no money
2023, Budapest
Ábel in the Forest is a visual diary created during two months of isolation in the forests of Mikebuda, during the COVID-19 pandemic.
After the university closed, I moved to a small house in the woods, where I learned to rely on myself in an unfamiliar environment.
Coming from the city, I had to adapt to a slower, more demanding way of life — making fire, fixing things and the feeling that you are on your own.
I faced with harsh, untamed wilderness with bitterly cold winter, and death. Despite the challenges, I pushed my boundaries and learnt a lot of myself.
The series documents this period of solitude, reflecting on the struggle to adapt and the simple beauty of living close to nature.
Ábel in the Forest
2021, Mikebuda